Learn Electric Guitar

Learn to play the electric guitar

Review – “Playing through the Blues” Guitar Instruction Software

Blues guitar is a common starting point for new guitarists.  My first ever guitar lesson was learning a 12 bar blues in A, and it’s easy to see why it’s popular way for teachers to ease their students into playing – it’s a great way to introduce many fundamentals of playing guitar, such as playing chords, scales and keeping time to a beat.  Moreover, learnint to play blues guitar doesn’t just help aspiring blues musicians.  The blues have heavily influenced many other genres of modern guitar music, including Rock, Pop, Folk, Heavy Metal and Jazz.  This means that getting a grounding in the blues fairly essential for many aspiring players.

Playing through the blues screenshot

It’s with this in mind that I came across “Playing through the blues” by Griff Hamlin.  This is a course aimed at beginner and intermediate guitarists alike, made up of written, digital and audio material and delivered digitally over the internet.

So what’s in it?

Rhythm and Chords Module

Playing through the blues Rhythm and Chords module screenshot

This starts off at the basics of how to put together chords, then shows you how to use them in different 12 bar blues progressions.  The module then progresses to a lot of fancier stuff, such as minor blues and blues jazz progressions, detouring via some bone simple John Lee Hooker and ZZ Top inspired stuff along the way.

Lead Guitar Module

Lead Guitar Module screenshot

This is probably the meat of the course.  It starts off with some basic blues scales, and legato playing techniques.. which are the obvious places to start.  Even though it is labelled the “lead guitar” module,  it actually delves into a lot of rhythm playing too, and shows how the two skills interact.  I am a big fan of this approach to teaching, which is much more productive and helpful than creating a rigid and false distinction between lead and rhythm.  This is a great lead guitar primer, and you will definitely be able to play blues guitar solos once you’ve worked your way to the end.

Bonus Modules

Lessons From the Masters

Lessons From the Masters screenshot

This has some solos from famous blues guitarists (including Eric Clapton and B.B King), along with some
audio examples.  There are also “jam tracks” – the audio with only a rhythm backing, which is a nice touch for people like me who like to mess around with different variations instead of playing the same thing note for note.

Turnaround and Ending Licks

Turnaround and Ending Licks screenshot

Now THIS was probably my favourite part of the course.  Basically it is a “swipe file” of different ways to end a 12 bar blues progression.  It includes some fairly classic licks, as well as few showing a bit of Griff’s personal touch.  Very cool stuff.

Bonus Jam Tracks

These are some rhythm tracks, in a variety of different keys and tempos.  The feel changes a lot too.. some are a shuffle, there are some straight up-tempo ones too, and some latin tracks too.

There are some more video bonuses, but I’m trying to write a blog post here, not War and Peace

Click here to read more about what this course includes

What I like about this course:

Griff Hamlin, the author, clearly loves playing the blues and the sense of fun and enjoyment he gets definitely comes through in all the material.

There is a “no nonsense” attitude in delivering the content.  In the printed material, the audio and the video he gets right to the point every time.  As the colloqiual expression goes, this course is “all beef” (My apologies to any vegetarian readers, but “all soy” just didn’t have the same ring to it :P ).

I like that this product comes with a No-Questions-Asked, 100% money back 56 day guarantee.  If you don’t like it, you can just get a refund.  This takes all the risk out of buying the product, and shows that Griff has a lot of faith in his product.  Very cool.

Griff doesn’t dumb anything down in presenting the material, but nor does he need to resort to the sort of unnecessarily technical musical thoery jargon typical of some academic textbooks.  Rather he tends to describe things using terms you hear from everyday working and gigging musicians.  You even get introduced to a little bit of musician’s slang from Griff.. for example, he refers to playing an accompaniment as “comping”.  This is great preparation for anybody who aspires to play alongisde other musicians, whether in a full-time band or just as a casual hobby.

Last but not least, this is all great material, and so long as you use it then you WILL learn to play blues guitar.

What I don’t like about it:

There is no fingering written on the pdf sheet music.  This is not a huge issue, as the entire course has video examples of  all the playing and you can very easily just look at how he is fingering everything he plays.  It would be nice touch though if the fingerings written in the sheet music too.

Most of this content is geared to beginner or intermediate guitarists.  Advanced players who are from a non-blues background will also benefit from it, though they will power through it pretty quickly.  But people who have been playing blues guitar for several years already will find that a lot of the material is old news.  That said, I started playing blues 16 years ago, and I did find a few new tricks and ideas here (most of them in the bonus material).

Is it value for money?

Well – long story short – yes, it is.  As far as guitar instructional materials in general go, the amount of high quality content you get here is just incredible.  If you are wanting to learn to play blues on guitar, you would do well to buy it.

The sales page does compare this $47 course to the cost of the year’s worth of private lessons it would take to learn all of this material.  I take issue with this comparison, for a couple of reasons.  The first reason is that different students learn at different rates, and the very keenest of them could probably cover all of the material in a matter of months.  The other thing is that asking how much it would cost to learn this from a teacher is just not a valid comparison at all, because you’re not getting private lessons here.  Even the best course will not offer you the kind of valuable feedback you get from spending time with a great teacher.  It seems a shame that they feel the need to make over the top comparisons like this, as the material really is good enough to stand up on its own merits.

That problem aside, if you compare this course to other hardcopy or downloadable instructional materials you could buy with the same money, there’s no arguing that you get an enormous amount of value here.  I remember when I was first learning guitar in the early 90s, well before the advent of downloadable guitar courses like this one, I was lucky enough to have my parents pay for weekly lessons from a private teacher who taught at the school I went to.  I was always hungry for more things to learn though, and I often spent the few dollars I had on magazines like Guitar World, as well as the occasional instruction manual.  I actually feel a little jealous of people starting out now, because the sheer AMOUNT of material you can get from some of these downloadable guitar courses, as well as the exceptional quality some of them offer, really dwarfs anything we had on offer 16 years ago.

Click here to go the sales page for “playing through the blues”..

Also consider:

Jamorama

At the time of publishing this is a slightly cheaper, and for the beginner on a budget it offers amazing value for money.  This course covers Rock, Pop as well as Blues, so might also be a good option for people who aren’t sure they’re into blues enough to buy a course that only teaches blues guitar.

50 Blues Jam Tracks

This is a backing track collection, rather than a complete blues course.  It does however feature quite a lot of instructional material thrown in as a bonus.  If you’ve been playing blues for a while now, and already know your way around basic major and minor blues scales and rhythm progressions, you might really dig this.  The tracks themselves are very well recorded and feature a hot blues band – it’s not the cheesy computer sequenced midi stuff you sometimes see sold as “backing tracks”.  They also cover an in-depth variety of different styles of blues, featuring several funk blues and bluesy jazz arrangements amongst the tracks.

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Guitar Instruction – Which method is right for you?

Are you new to playing guitar, and not sure how you should go about learning?  There are a number of different ways you can get Guitar Instruction.  The best way to go about it depends who you are and what stage you are at.  Here are the common was to learn guitar, and the advantages of each.

Private lessons

If you are wanting to get the best results in the shortest amount of time, getting a teacher is definitely the best form of guitar instruction available.  Of course, I’m a teacher myself, so I would say that, wouldn’t I?  Well yeah, I would say that, and I just did.  But let me tell you why it’s a good move.

The first reason is that having a regular lesson each week will make you more disciplined about your practice in between lessons.  A teacher can’t practice for you, and you still need to motivate yourself and make a solid habit of it.  A disappointingly large number of students will come in week after week and end up repeating the same lesson each time, because it’s obvious that they haven’t practiced properly in the time in between.  However, if you are motivated to learn, having a weekly lesson to prepare for is probably the best sort of encouragement to stay on top of your practice and to make it a habit.

The second reason why private lessons are the best form of guitar instruction, is that a guitar teacher can spot shortcomings in your playing that you won’t notice on your own.  You might be angling the neck or positioning your hands in a way that makes it especially awkward to play.  Maybe you’re “cheating” by using fingerslides where you really should be doing a legato pull-off.  A dvd or guitar magazine won’t point this out to you, but a teacher will.

The other great thing about a good guitar teacher, is that they will tailor the guitar instruction to fit exactly what you want to learn.  Any other guitar instruction material will, by necessity, be “one size fits all”, and made to suit as many people as possible.  A guitar teacher though, can ask you exactly where it is you want to get to, and plot out the steps you need to take based on that.

Downloadable courses

If money is an issue and you want the best “bang-for-your-buck” then this is definitely the way to go.

The advantage that digital content has over DVDs and books is that it is an affordable way to get guitar instruction in a variety of different media – text, video, audio and images.  It’s all well and good to read about how to play, but nothing beats being able to watch for yourself what a guitarist is doing with his fingers.  By the same token, video alone can be very irritating when you are trying to learn something in your own time.  It is great to have written guitar instruction material available as well.

If you are looking at buying some a downloadable guitar instruction course, I can recommend Jamorama.  One of my students has used it, and I can vouch for the results.  It is a very good price, and because you download it there is the instant gratification on not having to wait for postage.  If you don’t like you can get a refund too, so there is absolutely no risk in trying it.  There are a number of other courses available too.

Hardcopy study materials

Before the internet and the widespread use of home computers, people were learning guitar from books and videos.  These are still available, and work just as well now as they did back then.

To be honest, with the exceptional quality of what’s now available in downloadable content, I think that that is probably the way to go.  But you might really want hardcopy materials to wrap up and give to somebody as a gift for christmas or their birthday.  Or maybe you just don’t like using a computer any more than you have to.

Other options

Some people get their guitar instruction at a college or university.  For the most part, these are not for beginners, rather for people who have been playing for some time and wish to do it professionally.

There are a number of guitar magazines available too, and most of them include some written guitar instruction in them, and sometimes an attached audio CD.  These are best used as a supplement to some other form of guitar instruction.. they are one-off “tips and tricks” rather than a holistic method.  Be aware that most of the material in most magazines is not guitar instruction; the biggest thing is usually advertising, the rest is usally a mix of product reviews and interviews with famous guitarists.

Combining them

There is no reason why you have to stick to just one method.  Maybe you could download Jamorama, and then go to a teacher a few months later.  Or go and get private lessons, and supplement them with lessons from a magazine.  Give them all a try and see what is right for you.

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What’s in your gig bag?

If you’re learning how to play electric guitar, you might want to consider putting together a gig bag.  A gig bag is just a bag with a whole lot of odds and ends that come in handy when you’re playing guitar.

The coolest bit about having a gig bag is that, instead of having to scramble around for all the little bits and pieces that you might need for a jam, rehearsal, or gig, you can just grab your gig bag when you’re on your way out the door.  The other great thing about having one is that it just makes for less clutter around your house.

My gig bag is just a little black backpack I got for free when my gym was doing some kinda promotion.

These are the things I generally have in it:

Instrument Cables

I have two high quality cables, and a handful of pretty cheap ones that don’t sound anywhere near as good.  The cheap ones are there just in case the nice ones break, or I misplace them somehow, or if somebody needs to borrow one.  The cheap ones mostly don’t get any use, they’re there just as a backup.

Patch Cables

I have some patch cables for pedals.  I usually only use one of these, for when I am using a tuner and an overdrive pedal together.  Sometimes, when jamming, I will toy around with using more effects than that, though usually I don’t.

Speaker Cables

I have 2 speaker cables, one short and one a little bit longer.  The longer one is long enough to let me plug into the bottom amp in a stack.  I will generally only use 2 cabs at once when I have to keep up with an extremely loud drummer.

9 volt batteries

Having a flat battery is something you never plan for.  But when it happens, it can be really annoying.  It’s also useful to have them around for when another musician has an instrument or pedal that’s gone flat – ideally, they’d be prepared themselves, but when you have to be on stage in 5 minutes and one of the guys doesn’t have his gear working quite right then knowing that it’s not your fault is not a lot of comfort.  I keep 3 or 4 in my bag most times.  Only one of my guitars has an active preamp, and I’m not a big user of pedals, so for the most part they actually just stay in the bag.  I generally just buy the super cheap ones from the discount store – it’s a few dollars investment to just not to have to worry about batteries.

Metronome

I don’t actually use this, except at home.  There’s no real reason to carry it around to gigs or rehearsals, but I have just gotten into the habit of keeping it in my gig bag, and that way I know where it is when I’m looking for it.

Handheld Tuner

This is just a backup for my pedal tuner, in case it breaks or for some reason I forget it.  A pedal tuner is much more convenient, the 20 seconds or so of “dead time” that it saves from not having to plug or unplug cables on stage makes a real difference to the flow of a show, and it’s also helpful in rehearsal.  I tend to reach for this tuner practicing at home though.

Tuner Pedal

Oftentimes this is my only pedal.  People who regularly make extensive use of a lot of effects would probably benefit from having a pedal board, rather than just carrying them around individually in a gig bag.

Overdrive Pedal

I do use an overdrive pedal some times.  It helps to have a tone that is a little back in the mix and leaves space in the upper midrange for the lead vocal to cut through.  Then when it comes time to play a solo, you can step on the pedal and come right to the front of the mix.

Ballpoint Pen

This is to write stuff with.  It’s just good to have one handy.

Set Lists

Usually I have the set list written out in advance, or at the very least have a draft of one to present to the other guys in the band.  I tend to write set lists for rehearsals too.. it just helps to remind everyone of what to practice, otherwise it’s easy to forget a song, and then when you’re driving home you suddenly remember “hey, we forgot to practice playing XYZ!”

Sharpie

If you need to write a set list on the spot, a pen just isn’t good enough.  A sharpie or texta will let you write big enough to see what the next song without having to bend over. when the list is taped on the stage behind a foldback wedge or next to a mic stand.

Notepad

I have an A4 sized notepad, so if anything needs to be written down I can just tear a piece off.

Spare Allen Key

If you don’t have a Floyd Rose on your guitar, then you can probably do without one of these.  But if you do, then you need one around, just in case you need to change strings or adjust something.  I have one for each guitar inside it’s case – the one in the gig bag is just a spare.

Wire Cutters

These are for changing strings.

Small Screwdrivers

Some small screwdrivers are great if you need to change batteries or any other small little task.  I think I’ve only used them once, but it’s reassuring to know they’re there.

Gaffer Tape

Gaffer tape comes in handy to tape down set lists, or to secure straps onto guitars, and all sorts of other things.

Power Cable

This is one of those standard power cables like you get on an electric kettle or a desktop PC.  A couple of my amplifiers use them, so this is there in case I forget to take it along.

Guitar Picks

I buy these in bulk partly because it’s cheaper that way, but mostly because it means there are fewer trips to the guitar shop – it’s the only way to fly.  I also keep a few in my wallet, so that I’m always prepared to play some guitar

Spare Strings

I don’t break that strings that often, because my guitars are set up well and I have pretty good technique.  But having some spare ones in my gig bag means I’ll always know where to look for them when I need them, and I’ll never be caught short.

At any time my gig bag also often has a few things in there that aren’t really that useful.. in winter all of my long sleeve t-shirts seem to end up there, because I will be wearing it on my way to a show or just a jam, but then when I start to play, particularly when I’m under lights, it’s hot enough that the shirt ends up in my bag, and often it just stays there, and being out of sight it misses the next round of laundry.  Old set lists end up crumpled at the bottom, as do flyers from other bands for their shows.  Every so often it gets way too full and I have to clean out all of the useless stuff.

Do you have a gig bag?  What do you keep in it?  Please leave a comment.

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Learning Vibrato Technique for the electric guitar

There’s an excellent post on the Guitar Noize blog with a great explanation of vibrato technique.

In my opinion vibrato is one of the most crucial embellishments to tackle for any intermediate player learning electric guitar, and yet for something so ostensibly simple it can be one of the most surprisingly difficult things to explain.

One of the things I like about Ysrafel’s introduction to vibrato is that he acknowledges that there are a lot of different ways to use vibrato, and he doesn’t insist on 1 single type of correct vibrato to be preferred above all others.  Often you find guitarists, even really good ones, insisting that vibrato should be done in only one particular way.  A guitarist who is a fan of Yngwie Malmsteen will probably tell everyone to keep their vibrato slow and wide, while an Eric Clapton fan will be more likely to say you’d be better to make it mid-paced and narrow. I personally find it hard to accept that only one of these acclaimed guitar virtuosos is doing their vibrato “right” – they are both extremely talented players who use very different types of vibrato to incredible effect in their music.  The main thing you should aim for when working on your vibrato is not to decide that one way is good and the other is bad, but to be conscious of what you’re doing and to develop some control over it.  The exact type that you favour will probably largely come down to taste, and will end up as a part of your own personal playing style.

If your vibrato helps you communicate what you want to the audience then you are using it well. As Ysrafel says – “To effectively use these various types of vibrato, try practicing each one until you can calibrate for the appropriate time to use each one.” – Of course, knowing when that appropriate time is is an aesthetic judgement, and is thus hard to formulate a rule for.  But consistent and deliberate practice will let your hands and your ears become more and more familiar with the nuances of each type, and that can only be a good thing to help you use them well.

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New design for the learn electric guitar blog!

Regular readers will probably have noticed that things have been looking a little different around here lately.

That’s because I’ve updated the theme I’ve been using.  Before I was just using a freely available theme, which I thought looked pretty great, until a friend of mine pointed out that, while my site was all about learning the electric guitar, the guitar in the header graphic was actually an acoustic guitar (oops :oops: )

I looked around ages to find a good, freely available wordpress theme, and couldn’t find anything with electric guitars on it that I was happy with.  So in the end I just made my own.

Since then, I decided that I should give it away to other people, just in case they might want to use it.  If you run a blog or are thinking of starting one, and like the way this site looks, head over to the new site on wordpress guitar themes that I have made.  If there is enough interest in this theme then I will make more!

Cheers,
James

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How to make money playing guitar

I think every kid dreams of being a rock star at some stage when they’re growing up.  And why not?  I mean, on the face of it, it seems like a pretty good deal.. you get to travel the world and perform your own songs to hordes of appreciative and adoring fans.  But of course, for every person who gets to live that dream, there are countless hopefuls who never quite make it.

And often, at least according to the words of those who have lived it themselves, being a rock star isn’t quite all it’s cracked up to be.  So, for the rest of us, how can we make money from playing guitar?

Read the rest of this entry »

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Buying your first guitar: What is a Floyd Rose and do I need one?

One of the most daunting and potentially expensive things that people learning electric guitar often have to deal with is buying their first electric guitar.

If your dad or your roommate or somebody has a guitar and they’re happy to let you use it, then lucky you.  You’ve dodged a bullet man; just keep playing that one until you feel confident about what you want for your own guitar.  But for everyone else, you’ve suddenly got to ask yourself a bewildering array of questions: what with those single coil and humbucking pickups?  Which type of pickup do I want or need?  And how many pickups?  What’s the deal with those guitars with an extra string?  And one question you may be wondering about is what on earth are these Floyd Rose tremolos I keep reading about, and do I want one on my guitar?

First, let’s get a bit of background on what we’re talking about here.  A “tremolo” bridge is a bridge that has a bar attached which you can press, lift or shake to change the tension on the strings, thus changing the pitch of the note sounded.  Strictly speaking, the word tremolo actually refers to changes in volume, not pitch, but some time in the 50s Leo Fender started calling them tremolo bridges and since then the term has stuck.

For decades electric guitar players made do with non-locking tremolos bridges, which for the most part could accomodate gentle dives or flutters without noticeably effecting the guitar’s tuning.  But when dudes like Jimi Hendrix or Eddie Van Halen wanted to do some massive whammy dives, sometimes pressing so far that the strings went slack, they’d find that all of a sudden their guitars had become unbearably out of tune.  If you watch or listen to any of the videos or recordings of Jimi Hendrix playing live, you’ll notice that he had to tune up pretty much at the end of every song, often muttering “Only cowboys stay in tune” – a cryptic remark that might have been a reference to country and western guitarists, whose more restrained guitar playing didn’t involve the wide bends and whammy bar dives that characterised Hendrix’s work.

In the early 80s, this all changed with the introduction of the Floyd Rose tremolo.  Named after the inventor, Floyd D Rose, the Floyd Rose locks the string at the nut and at the bridge. This locking stops the string from slipping even during large bends or whammy dives, meaning that the when the bridge returns to a flat position, the string tension will be completely unchanged.  This makes for near-perfect tuning stability.  Of course, when the nut is locked, the tuners at the headstock are rendered ineffective, so a Floyd Rose tremolo borrows a trick from violin makers by placing fine tuners on the bridge.

So should you get a guitar with a Floyd Rose?  If you are a beginner guitarist, and this is your very first guitar, the answer for almost all of you is a definite no.  I don’t say this because I don’t like the bridges.. I have three guitars with a Floyd Rose, and I’d go so far to say that they’re my favourite guitars.  But I don’t think they’re suitable for a beginner’s first electric guitar.

The first reason I don’t think they’re suitable for a first electric guitar is just the expense.  A good quality floyd guitar is not cheap.  There are licensed versions of the Floyd Rose tremolo available, and many of them are high quality bridges.  However, the budget models tend not to hold tuning perfectly, which removes the entire point of having a Floyd Rose bridge.  Even testing the bridge out in the store with some large pull-ups and dives isn’t a foolproof method, as a lot of the cheaper floyds work quite well when they’re brand new, but perform poorly after just a bit of age and wear.  For people who want tot is quite possible to buy a great second hand guitar for a bargain, and to upgrade the parts, but this is probably not something to tackle on your very first instrument.  Most people who are buying their first electric guitar do not have a lot of money to spend on it.  But even for those of you lucky enough to have a lot of money to spend on guitars, my general advice is to buy something inexpensive for your first one, and to save the rest of your money for later, when you have a better idea of exactly what you want from an electric guitar.

The next reason I think you should avoid a Floyd Rose guitar for your very first electric guitar is because of the learning curve.  Once you are used to using a floyd, basic things like tuning up, changing strings and general maintenance are pretty easy.  But when you are brand new to them, it can be a bit of a hassle at first.  For someone who is still getting used to having a electric guitar, the extra learning curve involved with a Floyd Rose tremolo is probably best deferred until later.

The last reason I don’t recommend a Floyd Rose guitar for your very first instrument is just that because most beginners will at some stage like to experiment with different tunings on their electric guitar.  Adjusting the tuning on a Floyd Rose guitar is not very straightforward – basically, it requires a whole new setup on the guitar.  Strictly speaking, any guitar should have the neck relief, action and intonation adjusted when the tuning or string guage is adjusted.  But most guitars, especially fixed bridge guitars, can be put into an open tuning or a drop tuning with minimal problems.  With a Floyd Rose bridge, the guitar might be basically unplayable.  If you want to just try a new tuning for an hour or two to see if you like it, your life will be much easier without a Floyd Rose.

Floyd Rose tremolos are an amazing innovation to the electric guitar, and allow for excellent tuning stability even with the most adventurous playing.  They are an awesome choice for gigging guitarists, because of all the “dead time” on stage they avoid, by making tuning breaks between songs unnecessary.  But for your first electric guitar, they are probably an inappropriate choice.

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New Privacy Policy

Hey everyone

I’ve decided it’s time I got around to writing up a privacy policy for this blog, so here goes:

I take your privacy seriously, and am writing this to explain in plain english what information is collected on the site, and how it is used.

I have installed web analytic software (Google Analytics) on this site.  If you have javascript activated, then the analytic software will track details such as your operating system, a rough idea of your geographic location, the web browser you use, the pages you visit, the time you spent on each page, the pages that referred you to this site, and any search queries you used to get here.  This information is kept by Google on a remote server, which I access from home using a web browser.

This information is used to provide a picture of where visitors are coming from, what they are searching for, and what sort of hardware and software they are using.  This will then be used to optimise the site for future visitors.

No information is collected by the web analytic software that could be used to personally identify you.

If you wish to make a comment on any of the posts on this site, you will be asked to enter in your email address.  I might use this to reply to your comment, if I feel it is appropriate to reply via email.  To date I’ve never done this, but who knows, some day I might.  I’ll never use it for anything else.

This website contains affiliate links to guitar-related products and services.  If you make a purchase through an affiliate link, the vendor or payment processor may display your name, your country, state or province, or the method of payment that you used.  I don’t use this information for anything at all.

This privacy policy may change, as different activities, features or plugins on the site may change what information is collected and how it is used.  If this privacy policy is changed, notification will included in a blog post, with a link to the new privacy policy.

No information will be sold, nor used for unsolicited communication.

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Interested in free guitar lessons?

Hey everyone,

Recently I’ve been thinking it would be cool to write a short guide for people learning the electric guitar.  Not an in-depth, comprehensive course, but a short little eBook just to help people get started.  When I’ve written it, I’ll post it on this blog for people to download for free.  But to do that, I’d like a little help from you guys.

I have no shortage of ideas of what I could include in this short eBook.  But I would like to have a clearer idea of what you guys are after when you browse to the Learn Electric Guitar blog – what your goals are with your playing, what styles of music you’re most interested in, and where you are at with it currently.  I mean, I could just take a guess what you’d all like, and then.  But I think I could create something that works a lot better for most of you if I just let me know what you want.

So, if you’ve got a spare 90 seconds or so, and you’d like to help me out, then please complete this survey:

CLICK HERE TO TAKE SURVEY (it will open in a new tab)

There are only 7 questions, and they are all super easy to answer, you can probably fill it out in less time than it’s taken you to read this post :)

Thank you for your help guys.

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New year’s Resolutions for Learning Guitar

2010 is just around the corner guys!  And if you’ve been meaning to step up your guitar playing, the new year is a great opportunity to spur yourself to do something about it.  Here are a few ideas you can include in your New Year’s Resolutions:

Practice More

It might seem obvious, but it’s still a great resolution to be making.  If you’ve always been meaning to practice more, then the new year is a great time to start.  Write yourself out a practice schedule, including what you’re going to practice and when you’re going to do it.  Don’t forget warm-ups and stretches!

Learn to play guitar

This one is for those of you who have been wanting to start learning electric guitar but have never quite gotten around to doing anything about it.  If this is you, make a decision right now that the first thing you’ll do in the new year is get your first guitar and book in lessons with a guitar teacher, or download some guitar instruction software.

Start a band

This one is for those of you who have been playing for a while, but have been wondering if there’s more to guitar than just playing in your bedroom.  Make an effort to get out there and jam with other musicians!  Playing along with drummers, bass players, keyboardists, sax players and singers is completely different to practicing at home alone, and will stretch your playing like nothing else.

Pick some songs to learn

This one is easy.  Just list some songs you wanna learn in 2010, and then do it.  The trick here is to pick songs you really love, and are difficult enough to stretch your playing, but not so difficult that you might give up in frustration before you have learnt it.

Train your ear

Guitar is not just about the hands.  The ear and the brain are equally crucial to the task.  If you’ve been working a lot on technique, the new year might be a great time to try something else and give your ear a workout.  Consider some ear training software or just pick up your guitar and try to play along to songs you don’t know, working it out as you go.

Discover some new techniques

2010 could be a great year to try some alternate picking, sweep picking, tapping licks, hybrid picking, legato arpeggios or anything else you’ve been meaning to turn your mind to.

Expand your influences

Sometimes it just takes a few new CDs to really shake your electric guitar playing up.  2010 might be time for you to finally start checking out some 70s funk, 80s hair metal, 60s UK blues or 90s desert rock.. anything really, so long as you’re not listening to it already!  If you’re stuck in a rut, listening to something from completely out of left field can spur you to do something radically different with your playing.

These are just some ideas – the main thing is to make a very specific, ambitious and realistic course of action, and then to follow through with it.  Have a great 2010 everyone, and those of you celebrating New Year’s Eve tomorrow night I hope you have an awesome evening!

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